If I were Meryl Streep (with her plethora of awards), when my name was announced as winner, I would have sat down beside Viola Davis, asked for the mic, and delivered my acceptance speech with an arm around Viola all the while. 
That would’ve been the mensch-ey thing to do. The Cirque de Soleil acrobats were dazzling – but had nothing whatsoever to do with the evening or the movies. Inappropriate. Thrilled to see Alexander Payne get recognition -he is the smartest and funniest (adult) writer-director working today (besides Woody Allen). I thought Sideways was a gem.
And the musical number that ends The Artist is pure heaven.
John Meyer 
Hi John – I saw The Artist in Paris late last year, and I am sorry to say did not think much of it. To me, it seemed like Singin’ in the Rain, silent version. On the other hand, it should be noted that another film I saw last year, A Separation, which is an Iranian film, is extraordinary. If it’s playing where you are, go see it. Otherwise, sorry to be so out of sych with the rest of the planet, but I turned the Oscars off at 9 PM. Don’t they announce best film at midnight or so? I’d rather get the news in the morning. I did, however, enjoy the crowds whistling at the stars. It very much reminded me of the opening of A Star Is Born, and also the Bette Davis film The Star, which TCM featured last night.
Larry, thanks for your comment. The Artist ain’t that great, but you have to love the intention behind it, and
the dance at the finish. Yes, A Separation is (of course) playing here in NY, and your recommendation will tip me towards seeing it sooner rather than later -and on the big screen. We watched the whole show, and was rewarded by Robt. Downey Jr’s funny take announcing the winning Documentary -he came out with a camera crew filming him, said he was making a documentary about being an Oscar Presenter. Very funny.
Some thoughts on your Judy compilation. I’ve been listening, piecemeal, to every cut; some observations:
her breath control, as a youngster, is astoundingly smart and on target (All the Things You Are is an example); she goes around the corner on phrases, none of that breathing-before-every-word syndrome that attacked her in later years. I’m also astounded at the TIME she takes to examine the lyric to Bill…and other ballads. And the quirky bend she gives to the word MINE in Object of My Affections simply MUST be her sense of the ridiculous coming into play. So much to absorb. Will post more thoughts as they occur.
Stay well.
Warmest
John
You would be a terrific reviewer, John.
I do know, however, that Meryl Streep is a menschy lady. I think she was just fine.
Bobbie H
Bobbie -thanks or your comment.
I did not mean to dispute Meryl’s menschey-ness -it was only an idea for alternate behavior.
Congrats on your Seminars; I recommend them whenever I think it’s appropriate.
John